#ghostly reviews
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As the final episode has now aired I've finally updated the random ghosts episode generator here (x)

You can change the settings to suit you and toggle off the episodes you've already seen but it might be a nice way to watch the series if you are bored following the usual order.
I'll be using it to post reviews under the tag #Ghosts:AnAutopsy
Enjoy the generator and thank you for the last five years guys. You are what made being a fan of ghosts special
#bbc ghosts#We're family family family#Even a lot of you annoy me haha#Ghosts: An Autopsy#Ghostly Reviews#Ghosts bbc#Six idiots#Them there#Episode reviews
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2024 reads / storygraph
Compound Fracture
YA thriller set in rural West Virginia
follows an autistic trans boy who survives being almost killed by the Sheriff’s son after a party, and accidentally kills one of the boys who hurt him when he tries to get back at him
and is pulled head-first back into the 100 year old feud between his & the sheriff’s families, that began when his great-great grandfather was executed after inciting a miner’s rebellion, the grandfather whose ghost has started to haunt him
community & family & socialist revolution
aro-questioning MC
arc from netgalley, out september 3
#Compound Fracture#aroaessidhe 2024 reads#aromantic books#andrew joseph white did it again……#pretty fast paced and gripping! I barely put it down.#Definitely the primal scream of rage the author described it as. Pretty brutal in places. I enjoyed it a lot.#it’s definitely less sff than his other books - the ghostly element is almost subtle - but that worked for me.#I was especially excited for this one because I heard the MC is aromantic and I’m so happy about it I think that was done well#certainly with more nuance and depth than I’ve come to expect from a lot of books; despite the fact that it’s not a major focus#(and yknow takes place over a couple weeks and is still in the questioning stage other than maybe the epilogue)#It’s tackling some very large complex things politically and is very unsubtle and somewhat neat about it#- and I think some aspects could have used more nuance/elaboration? but also maybe that’s just not possible to fit in one little book#the handful of negative reviews I can find I guess I see where they're coming from lol#but yknow. lots of good regardless#and also. appreciation moment for evangeline gallagher's cover art
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im trying to use google docs for the first time in like over a year on my computer and i had to turn off autocorrect again (i dont like a computer "fixing" my words, google docs is especially bad with their guesswork), it's lagging every time i scroll the page by A LOT, every time i hit enter it goes two lines down. can i stop this from happening i cant figure out the setting for the "enter = two lines now" thing
#ghostly posts#ughhhhhhhhhhh#yes ive been writing in other programs#im not prepared to give a review at this time i just wanted to dump some stuff into my ghosttrolls google acct#this formatting is ass though its not gonna paste anywhere correctly???
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Someone left this anonymous review on my PMATGA fic titled Captive, and I'm both flattered and amused. It's under the cut, as it contains a word that miiiiight make folks uncomfortable. Wasn't sure, but I'm putting it under there to be safe.

I can't unsee it now.
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@goodbye-little-yellow-bird recommended this self published phantom book and the preview is amazing! i was looking for the full thing...
and discovered that it was originally a 2005 fic!! :o
#and not long after drafting this post he mentions the original ;)#the story follows a woman named genevieve a year after the original story#she's headstrong and erik is a little creepier than usual but still very ghostly! ;)#the author said the book was more leroux inspired and i can definitely see it#i went to chapter 11 and a broad chest isn't very skelly like! ;)#14 years later it became an actual book! :o#the phantom saga was sort of the same way in that it was written long before publication#the third self published phantom book only took a few months to be published wink wink! ;)#i already have a couple little references in there!#many many measurements and some relaxing scents! ;)#idk if i'll buy it since it's over 400 pages... and i already have some big phantom books! ;)#and i can guess how it might go judging by the reviews#lots of steamy romance... ;)
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After finishing Good Omens 2 I really was sitting there like "wow that was incredible.... the internet is going to hate this" and yeah. I wish I had been wrong
#ghostly posts#good omens#good omens 2#so sorry to Neil and his inbox I know it's a nightmare in there#I really hope people can stop being annoying and work together to earn a new season#but knowing the mixed reviews at present it might be likely that it won't get renewed. which sucks.#I wanna know how this version of the story ends
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[Review] Pac-Man and the Ghostly Adventures 2 (3DS)

This puck has legs after all.
After Inti Creates phoned it in for the first 3DS companion game, Monkey Bar Games handled all versions of the sequel themselves. The result is a 3DS port with (I think) feature parity on the console version, albeit with graphical compromises and fewer enemies populating the levels. PMatGA2 is a pretty simple 3D platformer from a fixed perspective, with the occasional rail shooter/vehicle section/2D zone to mix things up, but the key difference from the first game on 3DS is that this actually feels good to play.

Pac is quick on his feet, has a double jump, and can chomp ghosts in rapid succession, so the action feels snappy. The transformations can slow things down at times but no one section really lasts long enough that it drags. This time, Pac's forms are given to you when necessary and he can only use one at a time, so levels are more often built around their abilities. You're usually jumping between platforming setpieces and mini-combat arenas where a bunch of ghosts spawn in, although these can often just be skipped if you would rather keep moving.

The forms include the returning fire (now with a cool gliding ability), ice, magnet, and chameleon, as well as the more limited rock ball, now joined by the rubber ball form. Also advertised are Pac-Zilla and Pac Kong but these are only used contextually for brief boss fights. The Pac-Zilla fight feels like the stilted Giant Battles in certain Mario & Luigi games, whereas the Kong one is a more engaging beat-down with a T-Rex. Some levels have you do a decent if basic rail shooter sequence, which is where Pac's off-the-rack friends get to have a playable appearance.

The gameplay doesn't change too much from world to world—from the city to an Atlantis take to space to prehistory to the underworld—but each one at least looks distinctive. The story has a little more focus than the perfunctory plot in Inti's effort; there's voice acting here along with interstitial cutscenes. From what I can tell there's a lot of rehashing stuff from the show, but the turncoat ghosts, who I consider to be the most interesting characters, don't have much of a role, sadly. I did learn from in-game bios that Pinky and Cyli, basically the only two female characters in the main cast, have a jealousy subplot over Pac's affections. So that sucks! Makes me all the more glad that the show was cancelled and this new standard for the Pac-Man series has been left in the dust.
I don't have too much more to say on this one. It's never very challenging which is just fine; in fact the game extravagantly throws extra lives at you, such that I was at the max of 99 in world 2 and never dipped below 95. It's just an easy, breezy 3D platformer which is a nice thing to have on a portable in particular. I would like to take this opportunity to have one final dig at the design of Pac himself, which is just so ugly, especially when he makes any kind of facial expression that's not the classic "wide open eyes and mouth". Rest in pieces, Ghostly Adventures.
#pac man#pac man and the ghostly adventures#pac man and the ghostly adventures 2#monkey bar games#review#3ds
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Did I gaslight myself into thinking that someone did an episode by episode full review of Pac Man and the Ghostly Adventures?
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Julie Byrne Album Review: The Greater Wings

(Ghostly International)
BY JORDAN MAINZER
Albums billed as being shaped by grief often don't follow linear rules, or at least a perfect pipeline of death to grief to songwriting. Famously, when Jeff Tweedy sang, "Tall buildings shake / Voices escape singing sad sad songs," on "Jesus Etc.", released in 2002, many listeners thought the line to be about 9/11, even though Yankee Hotel Foxtrot was finished before the attacks. More recently, Nick Cave & The Bad Seeds' Skeleton Tree hit shelves after his son Arthur tragically died from a fall; during its recording sessions, Cave amended many of the album's lyrics, which had been initially written by the time his son passed away, but to this day we don't know exactly what changed. On the title track to singer-songwriter Julie Byrne's new album The Greater Wings, she declares she will "name my grief to let it sing," rendering that grief a living, breathing entity, almost a character in the album. Halfway through the making of the record, Byrne's creative partner Eric Littmann suddenly passed away. After shelving it for six months, Byrne completed the album with producer Alex Somers, her first time in a conventional recording studio. The result is a stunning canvas of reflection on things that are no longer for this world, from people to relationships, filtered through Byrne's blue-colored glasses.
Really, a more apt timeline for comparison to The Greater Wings is Bell Witch's Mirror Reaper, an album that acts as a tribute to a former member while including documents of their physical presence, more living artifact than ghost. On Mirror Reaper, it was the late Adrian Guerra's voice; here, Littmann's synthesizers shine throughout the record, like his arpeggios harmonizing with Marilu Donovan's harp on "Summer Glass" and his wobbly instrumentation on "Conversation Is A Flowstate". To see how Byrne and Somers owned the material from there is breathtaking. It's hard to remember that before her previous record, Not Even Happiness, Byrne was a DIY folk singer. That album's glassy closing track "I Live Now As A Singer" not only informed The Greater Wings' expanded aesthetic, but it's proven to be a total turning point in Byrne's career. The production flourishes and additional instrumentation on The Greater Wings are sometimes subtle, but they move mountains. Synthesizers shimmer alongside acoustic guitar on the title track. Somers' backing vocals on "Portrait Of A Clear Day" nestle among Byrne's lead vocal turn, Donovan's harp, and Jake Falby's strings. "I get so nostalgic for you sometimes," Byrne sings, her hazy memories perfectly contrasting the crispness of the music.
In fact, contrast is a defining feature of The Greater Wings. On emotional centerpiece "Summer Glass", Byrne's words consist of recollections of specific moments in time ("You lit my joint with the end of your cigarette," "The tattoo you gave me lying in bed"), all-encompassing devotionals ("You are the family that I chose"), and broad therapeutic goals ("I want to be whole enough to risk again"). Even the instrumental "Summer's End" showcases the tactility of Donovan's harp against the atmospheric wash of the synthesizers and echoing bells. And Somers added textures to Littman's initial work on "Conversation Is A Flowstate", making it a harmonic, yet percussive and conversational push-pull as Byrne recites affirmations: "Permission to feel it, it's alright / Permission to grieve, it is alright / Healing can be heartbreaking, it's alright."
Making yourself "whole," or as close to it as possible, is not an easy or definite process, in life or in music. Even on a song like "Flare", Byrne goes through multiple so-called "stages of grief," including bargaining and acceptance, Jefre Cantu-Ledesma's modular synth buoying her words. The Greater Wings, then, is as close to universal art as it gets, a treatise on the human penchant for imperfection, for being naturally unable to fully appreciate something while it's there. "I tell you now what for so long I did not say / That if I have no right to want you / I want you anyway," Byrne sings with smoky heartbreak on "Lightning Comes Up From The Ground", a title that makes literal what happens when an event in your life shakes you to your core: It turns your world upside-down.
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#julie byrne#album review#jake falby#the greater wings#ghostly international#jeff tweedy#yankee hotel foxtrot#nick cave & the bad seeds#nick cave#skeleton tree#arthur cave#eric littmann#alex somers#bell witch#mirror reaper#adrian guerra#marilu donovan#not even happiness#jefre cantu-ledesma
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Streaming Chills and Thrills: Unveiling the Haunting Hijinks of DEADSTREAM (2022)
DEADSTREAM, a 2022 American supernatural horror-comedy film, marked the directorial debut of the husband-and-wife team Vanessa and Joseph Winter. They also took on multiple roles, including writing, producing, editing, and acting. Joseph directed and served as the lead actor and composer for the film’s soundtrack. The storyline revolves around a disgraced content creator’s desperate attempt to…
#comedy#Deadstream#Death Manor#disgraced content creator#found footage#ghostly encounters#haunted house#live-streaming#Mildred Pratt#movie review#rituals and incantations#spine-tingling thrills#supernatural horror#Vanessa and Joseph Winter#viewer engagement
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Review: Ghostly Dilemma (Ghostly Book 8) by E M Leya
Rating: 4.5🌈 The Ghostly series by EM Leya is going strong as demonstrated by Ghostly Dilemma, the eighth book in this excellent paranormal law enforcement series. With the romantic relationship between ME Lance and Det. Angus is happy and they’ve moved in together, along with their dog Haunt. Frank, Angus’ partner has recently bought a home, and Lance’s older brother is leaving the military…

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#newbookreleases#A MelanieM Review#author E.M. Leya#ghosts#LGBTGIA paranormal mystery series#LGBTGIA paranormal romance#Review: Ghostly Dilemma (Ghostly Book 8) by E M Leya#Scattered Thoughts Highly Recommended
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William Ritter's The Dire King - An Ending Rushed?
As the final book in William Ritter’s Jackaby series, The Dire King had a couple of things to do: wrap up a rather busy but interesting story, tie up loose ends with plot lines and characters, give a few conclusions for the romantic relationships that have been brewing since Jackaby. Unfortunately, it seems that too many cooks spoil the broth as elements of the narrative started to slip through…

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#beastly bones#book review#folklore#ghostly echoes#historical fiction adventure#jackaby#middle grade book recs#middle grade books#paranormal fantasy#supernatural fantasy#the dire king#william ritter#ya adventure#ya books#YA Fantasy#ya series
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EP Review: Ghostly Times - MIRAGE (Self Released)
Ghostly Times are in a creatively exciting place, where they are expanding on their rock sound, keeping it focused on effective melodic beauty, and still showing how capable they are at putting smiles on faces.
Brooklyn, New York rock band Ghostly Times are back with a brand-new EP called ‘MIRAGE’. The EP was released on April 12th, 2024, and is the long-awaited follow-up to their 2017 debut full-length album, ‘When All That’s Left Is Grey’. It’s been a long time since I wrapped my ears around Ghostly Times, and having thoroughly enjoyed the debut album, as well as the 2018 single ‘The Sender’, I can…

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The Ghostly Guide to Alcatraz by
Theresa Emminizer

Theresa Emminizer’s The Ghostly Guide to Alcatraz is a brief and easy-to-read book detailing the history of the very famous island and prison. I enjoyed the book’s eye-catching design and bright pictures. The information is interesting but it is a little underwhelming, especially the ghostly tidbits.
This is a very easy-to-follow and understandable book for younger readers. Emminizer’s nicely simple language is concise and accessible. The book is divided neatly into simple, comprehensive, and super short chapters. The easy-to-read information includes fascinating facts about Alcatraz’s long history (it became a maximum security prison in 1934 and closed in 1963), the prison’s infamous inmates like Al Capone, as well as mentions of infamous prison escape attempts. I particularly appreciated the inclusion of the Native peoples. Did you know that it’s possible that the Native peoples believed the island was haunted and may have used it as a spot of punishment?
I also appreciate the inclusion of a glossary, a short timeline of Alcatraz’s history, as well as a section with books and websites so kids can learn more about Alcatraz on their own.
However, there is disappointingly little information on Alcatraz’s haunted aspects. I would have loved to see more pages on the alleged hauntings and sightings. I also would have liked to see more specific facts or stories.
I really appreciate the book’s colourful and appropriately spooky design which definitely makes the reading experience quite fun and exciting. I also love that there are so many interesting full-colour pictures and this will definitely appeal to younger readers!
Thank you to NetGalley and Rosen Publishing Group for this book in exchange for an honest review.
👻👻👻 out of 5 ghosts!
#The Ghostly Guide to Alcatraz#Theresa Emminizer#book review#book reviews#books#book#netgalley#picture book#illustrated#children#children's non fiction#travel
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[Review] Pac-Man and the Ghostly Adventures (3DS)
What if Pac-Man was Mega Man but also slow and boring?
I’ve been loyal to Inti Creates ever since I fell in love with Rockman Zero (I played a Japanese import first). They kinda lost me with Gunvolt and I find Gal Gun deplorable but they usually seem like they’re really trying to make compelling action games. I’ve wanted to try this handheld companion game to the 3D platformer console tie in to the modern animated series since I learned they were behind it, and after seeing this reboot’s debut in Dimensions it seemed like a good time for it. As for the game, well, I guess every studio has their phoned-in contract work.
This setting has a surprisingly dark backstory but the actual stories are light and stuffed with “action show for kids” tropes. Pac is a teenager always talking about burgers, grimacing, and hanging out with his hideous friends. He also might secretly be a superhero? Either way, he is “the only one” who can save Pactown in Pacworld or whatever, by eating ghosts which regularly invade via the schemes of their boss Evil McEvilface, er excuse me, “Betrayus”.
A lot of familiar Pac elements are repurposed in occasionally tortured ways: the classic ghost foursome have new designs and are your double agent friends, the fruits exist as transforming vehicles that assist with certain platforming sections, and pellets are central. The small ones, called cookies for some reason, give you lives (again, why have these in a game that you’re intentionally making easier for kids?) and spawn in fruits for points. Power pellets, here berries of the “tree of life”, have elemental alignments that act as your Mega Man powers.
You can pick from a set of six stages, and the action plays out as a sidescroller. Certain stages unlock new abilities, four in all: fire, ice, magnet, and… chameleon. Collectibles can increase your stock of berries, or unlock art or entries in the model viewer. The powers of course can help you in combat and to interact with your environment to find goodies; replaying stages with new powers is encouraged but I opted out, thanks very much. Chameleon is the most fun when given a chance to shine, as its tongue lets you grapple around and best plays into the combo system.

The most interesting thing the game does is this mid-air mechanic. You can multiply your score by eating successive ghosts without landing. Well, score didn’t matter much to me but just pulling off strings is satisfying and sometimes lets you reach new areas. Pac has a single-use Yoshi-like flutter jump and a chomp attack that gives you a horizontal boost and can home in on ghosts. This all could add up to a dynamic and fun movement system but in truth it’s quite stilted and never reaches its full potential.

The combination of mid-air mobility and the powers giving you alternate attacks again could make for really exciting boss fights, and occasionally when you find a specific interaction between a power and a boss weakness there’s moments of brilliance. But most of the time these fights just plod along, waiting for them to become vulnerable. The late-game boss rush only hammers this home.
Inti Create have shown that they can make world-class Mega Man games, whether it’s the slick Zero games or Mighty Gunvolt Burst with its classic vibes and novel customisation. You can see a little tiny bit of that expertise being applied here but it’s not enough. Amusing as it is to meld that gameplay structure and its recognisable characteristics in with this ridiculous setting and its weird try-hard updating of a gaming icon, it just doesn’t amount to much. And that’s a shame, because this could have been something special.
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Golden Apple [ Commissioned ]
Word Count: 13.1k
— Phainon, Mydei + Anaxa
Request: [ A Modern AU with each character as a mythological figure/being. Phainon as a guardian angel, Mydei as an undying demigod, and Anaxa as a cosmic horror parasite. ]
Note: Liberties were taken with each character's cultural/mythological backgrounds. More information at the end.
[Masterlist]
Back at it again for another season, baby! Thank you so much for commissioning me, and I hope you like it!
Phainon
Daemon (Daimon / Δαίμων) — A spirit or semi-divine guide, neither good nor evil, acting as a quiet protector or inner voice. Unseen but ever-present, it might steer fate, whisper advice, or guide you toward your destiny.
ACT I, SCENE I
FADE IN:
EXT. DINGY ALLEY BEHIND A RESTAURANT - NIGHT
A flickering neon butterfly sign buzzes overhead, sputtering in embarrassed shades of pink and red. Its failing light spills across a grease-stained back door—the kind that hasn’t closed properly in years. Rain slicks the pavement, pooling into oil-slick puddles that shimmer with distorted reflections. The air reeks of old gasoline, wet cardboard, and something burnt-out and electrical. Trash bags slump against the faded red brick walls, both deflated and bloated. You wonder if there are any dead bodies inside, just waiting to be discovered, then ignored.
And there’s the knife at your throat.
Not an assassin. Not a business deal gone wrong. Not even the aftermath of someone’s drunken spiral. Just a man—desperate, hollow-eyed, with hands that won’t stop shaking. A ratty ski mask clings to his head, threadbare and sagging, worn past the point of dignity. His jacket is soaked and sour with mildew. Cracked fingers clutch a rusty blade too tight, one wrong breath away from splitting your skin. He reeks of cheap liquor, bile, and something sweet that’s been dead too long.
“Money,” he hisses, voice brittle and raw, “Now.”
It's all so...
disgustingly boring.
What happened to the gunmetal briefcases and monogrammed bullets? To assassins who glided over wet pavement without a sound, slipping through shadow and silence with practiced ease? What happened to the paper-screen duels, where silhouettes clashed in ghostly choreography—every movement a whisper before the final blow landed in a burst of stylized violence? Even the black-and-white mafia films had flair: steel-toed boots, pinstripe suits, cigar smoke curling around sneers and snub-nosed pistols. They kicked down doors with bravado, spilled in with bad accents and worse metaphors, and died in poetic slow motion—white rose pinned to their chest, black blood on their cuffs.
But this?
No drama. No build-up. No artistry. Just another man at the end of his rope, waving a blade in the dark, praying fear would do what fate never could. The whole scene screamed low effort—like a student film with no budget, no vision. Pig slop. Bloated. Overdone. You’d seen better tension in a toothpaste commercial. It felt like every review you’d ever gotten: flat direction, overwrought, emotionally shallow. You could practically hear a snide critic’s voice echoing in your skull as your eyes rolled so hard they nearly got stuck.
“Wow. Really phoning it in tonight, huh?” you mutter, voice dry as sandpaper, “Seriously? You think I’m worth mugging? I don’t even have a coat.”
You slump against the rain-slick brick, the mortar biting through your thin button-up. Cold seeps straight into your spine as the knife presses harder—not deep enough to break skin, just enough to remind you this scene isn’t over yet. The mugger’s hands tremble like a marionette with its strings half-cut.
You sigh—long, theatrical, like a curtain call no one asked for.
“Come on. Where’s the emotion? The stakes? You’re desperate—show me that. Cry a little. Maybe scream. I’m all for authenticity, but you’ve got to rehearse your lines before curtain. This kind of improv?” You wag a finger, “It throws everyone off. Wrecks continuity. Makes for very angry sponsors.”
One hand lifts in mock surrender, the other gesturing vaguely, “Honestly, if I were running this scene, I’d cut you entirely. Maybe replace you with a mute clown. At least that’d be memorable.”
“I said money!” His voice cracks—thin, frayed, angry.
“Alright, alright—no need to get moody,” you say, lifting your hands like you’re trying to soothe a diva mid-tantrum, “I’ve got some cash. Right side, pants pocket. Not a lot, but hey—supporting roles don’t pay like they used to.”
The mugger steps in, close enough for you to smell the sour rot of his breath. The blade catches a flicker of neon as he moves. One hand drops from your collar, trembling fingers inching toward your pocket, greedy for the crumpled bills stuffed inside.
Then— A stutter. A splat.
He drops like dead weight.
You blink. You really hope he's not dead. Police on your set doesn't make for great paparazzi.
“Let’s not ruin a perfectly mediocre Tuesday night, yeah?”
The voice cuts clean through the alley’s tension. Behind the crumpled body, a man stands framed in the dim glow of the restaurant’s now-open back door. It swings lazily shut behind him, sighing on its hinges. A sliver of warm kitchen light spills into the dark, casting him in sharp streaks—city haze curling at his shoulders like smoke, neon lights stuttering across the shock of white hair. Tall. Broad-shouldered. He wears a chef’s coat, still dusted with flour. Oil stains splatter faded patterns across the front, abstract and familiar—like he’s been through worse than grease fires. Sleeves rolled to the elbow. Forearms lean, marked by old burns and kitchen scars that tell their own stories.
But it’s his eyes that freeze the moment: too calm. A bit cheeky actually.
And then—he smiles.
“You alright?” he asked, voice warm and casual, as if this were all terribly normal.
You exhaled—finally. “No. Worse.”
His grin widened—easy, lopsided, a bit cute, “Oh?”
You tilted your head, eyes narrowing, amusement curling at the edge of your exhaustion. Slowly, deliberately, you raised your hands, fingers forming two sharp “L”s in front of your face like a makeshift director’s frame. He blinked, puzzled, but didn’t move. Just stood there in his flour-dusted chef coat, letting you silently finish your odd little ritual. In the cooler light, his messy white hair almost shimmers, catching the moonlight like a soft halo. Those cyan eyes—no colored contacts could ever match their intensity—hold you with a magnetic calm. His features are sculpted—sharp jawline, high cheekbones, the clean lines of someone carved rather than born—but softened around the edges by something subtler. A kind of gentleness. There's an almost feminine grace to him, and androgyny like that is rare in this line of work.
Not bad. Not bad at all. He's got leading man energy. Stupid nickname pending already.
“Alright, you’re hired,” you say, lowering your hands with a satisfied smile, even snapping your fingers together. You reach into your pocket and fish out a slightly crumpled business card, the edges softened from wear. Holding it out with a slow, deliberate gesture, you meet his eyes, “Come to this location at 7:00 tomorrow morning. Do not be late.”
The man takes the card between his fingers, pale light glinting off its glossy finish. He doesn’t even glance at it but nods once in acknowledgment. You catch the faintest flicker of curiosity—or maybe confusion—crossing his features. Fair enough. The last few minutes have been strange. Without another word, you pivot on your heel and vanish into the wet night. The neon sign above buzzes faintly, casting an uneven glow over the slick pavement. Rain continues to fall in a soft drizzle, its quiet patter blending with the distant hum of the city.
Phainon stands for a moment, eyes lingering on your retreating form. Then, he tucks the card into the pocket of his chef’s coat and slips back through the swinging kitchen door. Inside, the kitchen bursts with life—the clatter of pots and pans mingling with the hiss of steam and the sharp calls of the night crew. The air hangs heavy with the scent of garlic, hot oil, and sweat. Phainon weaves through the cramped space with practiced ease, sidestepping a precarious stack of dirty plates and a boiling pot. He spots Mydei leaning against the counter, arms crossed, eyebrows raised, furiously wiping down the stainless steel surface.
“Mydei!” Phainon calls out over the clatter, bursting through the swinging kitchen doors with the kind of urgency usually reserved for grease fires or health inspectors. His voice cracks slightly—a blend of panic and poorly hidden excitement, “I need to use my vacation days… like, right now!”
Mydei looks up from wiping the prep counter, rag frozen mid-swipe. He blinks slowly, a slight twitch in his eye, “…What? Why all of a sudden?”
Phainon shifts his weight from one foot to the other, his shoes squeaking faintly on the slick tile. His hands hover in the air, fingers twitching as if trying to physically pluck an explanation out of thin air, “I got hired for a new job!”
There’s a beat of silence before Mydei sets the rag down with exaggerated care, eyes narrowing, “A new—what the fuck are you talking about, Phainon? What job?”
“Uh… I don’t know yet?” Phainon says, scratching the back of his neck, white hair mussing even more. His cheeks flush pink under the harsh fluorescent lights as he avoids Mydei’s gaze. Mydei stares at him. Then, with the dead-eyed precision of someone who’s endured Phainon’s nonsense one too many times, he balls up the rag and chucks it at his face. It hits with a wet smack.
Phainon takes it in stride, sighing dramatically as the rag slides off his cheek and flops onto the floor. That one actually kind of hurt.
FADE OUT:
ACT I, SCENE I
CUT
---
ACT II, SCENE VII
FADE IN:
INT. OFFICE - MORNING
“Phainon,” he says, “Chef, part-time dishwasher. Full-time… problem-solver.”
You didn’t like working with new talent. They were either too chatty, jabbering when silence was gold, or too violent, quick to throw fists instead of listening. Too flashy, desperate to be seen and heard, or too late, showing up after the damage was already done. You’d burned through three rookies this month alone. One choked on his own ambition, pushing too hard to prove he belonged. Another took a contract that nearly tore your lungs out—an amateur mistake you barely survived. The last one vanished without a trace—along with your favorite coat, a souvenir from better days. But every now and then, you find a diamond in the rough. A raw edge of talent, hidden beneath the grime and mistakes, waiting for someone to buff, cut, and polish it until it catches the light just right. It’s a gamble, sure, but when it pays off? The spotlight shines brighter than any artificial light, and it’s worth every scar.
This one was different. For starters, you were pretty sure his name was fake—because seriously, what kind of name is Phainon? Even a pen name wouldn’t be so pretentious as to literally mean “bright” or “shining.” It sounded less like a real name and more something a self-important poet might invent during a late-night epiphany.
And the second part… well.
He was perfect. “Phainon” had no visible character flaws, on or off the set. On set, he delivered his lines flawlessly, every word crisp and natural, as if he were born to deliver. The perfect actor, as if the Grandfather of Cinema himself had accidentally dropped the wrong copy of the script straight from the heavens and placed Phainon in your lap. You’d heard of extreme method actors, but you weren’t sure you’d ever seen anyone quite his caliber. Phainon carried that same cheery, placid smile everywhere—never cracking, never faltering. It was almost eerie, as though he was permanently stuck in character, perhaps a little too comfortable living in that perfection.
It began with a crew light—an aging floodlight mounted too high, groaning under its own weight—teetering dangerously during the shoot. You caught the shift from the corner of your eye, but just a fraction too late. The metal rig wobbled precariously on its worn stand, bolts frayed and rusted from years of use. Its spotlight began a slow, deadly tilt. One more second and it would’ve come crashing down onto you. Maybe on someone else’s head too. Definitely on your budget.
Then: Action.
A flicker of white darted past the edge of the frame. A hood caught in the breeze, revealing a sun tattoo peeking just above the hem—faint, golden, a quiet hum of warmth on an otherwise cold, gray day. The hand that reached up moved with unhurried calm, catching the heavy light with ease and steadying it as if soothing a spooked animal. No grunt, no stumble—just a solid arm. You didn’t even get the chance to ask if he was okay before Phainon turned his head slightly, voice low and soft enough for only you to hear.
“Don’t flinch. You’ll ruin the shot, Director.”
There was a smile in his voice—faint, teasing, but never mocking. A soft flutter of wind caught at his coat as quiet footsteps faded away, carrying him back to his mark as if nothing had happened. You stood frozen for a moment, your throat tightening somewhere between a thank-you and a curse. Then your brain snapped back into motion.
“Places!” you bark, louder than necessary. “Everyone, back to one. Reset the track. Lights, tighten your rigging!”
The crew scrambles, rushing to their positions. The light is back where it belongs. The shot is saved. But your heart keeps hammering, a cold knot tightening in your chest. And Phainon? He never looks your way again.
It happened again on the third day of shooting, past golden hour and well into the frayed edge of everyone’s nerves. The air on set hung heavy with heat and halogen, buzzing lights above throwing sharp-edged shadows. A missed prop cue. A wardrobe malfunction. Too many takes are bleeding into each other. Tension layered thick as smoke.
Then the sponsor snapped.
“You want to run this circus? Then maybe act like it!” he barked, his voice cracking across the soundstage. You stood rigid in front of the monitor, clutching the camera like it might anchor you. Your teeth dug into the inside of your cheek. Around you, the crew shifted—some pretending not to notice, others casting you wary or sympathetic glances. No one said a word.
Your knuckles were bone-white.
Then—quietly, steadily—someone stepped up behind you. Not intruding. Just… present.
“Don't be so wired,” said a low voice near your ear. Smooth. Steady. Certain.
Phainon.
You felt him before you saw him—the calm weight of his hand closing gently over yours, adjusting your grip on the camera. His fingers were cool, the pads calloused but exact, like a pianist’s—or someone used to handling delicate machinery. Probably a knife. You keep forgetting he used to be a chef. The tension in your shoulders began to unspool, though you didn’t loosen your hold just yet.
“They can yell all they want,” he said, his eyes on the chaos unfolding ahead like it was nothing more than set dressing, “But you’re the one holding the lens.”
You blinked.
The words landed somewhere beneath your ribs, quiet but steady—reminding you what mattered. What was still yours to hold.
Still, you couldn’t help yourself.
“Are you saying I should throw it at them?” you muttered, eyes forward.
A pause. Then the faint tug of a smirk at his lips.
“Respectfully,” he said, releasing your hand with the same lightness he’d arrived with, “I don’t think you’ve got the arm strength for that.”
A breath caught in your throat—then slipped out as a crooked laugh. Small, but real.
Your shoulders eased. You raised the camera again, adjusted the lens with new focus, and called out to the crew, “Reset. We’re going again.”
No one argued.
And when you looked back, Phainon was already across the set—sleeves rolled, calmly discussing lighting with a grip. Just another cog in the machine. Seamless. Unbothered. But you knew. He’d been there—in a moment no one else had dared to step into. Quietly, without fanfare, he’d drawn a line around you. Not loud. Not dramatic.
Just enough. Just present.
Another time, it was water.
The shoot had dragged into its twelfth hour. Your eyes were dry from staring at monitors too long, your neck stiff, brain fogged over. You hadn’t moved from your chair in what felt like days. Around you, the set buzzed with quiet urgency—stagehands murmuring, the distant clatter of equipment, the steady hum of overhead lights. You didn’t notice the footsteps approaching. You barely noticed anything anymore. Then, as quietly as a breath, a bottle of water landed beside your elbow. Cool against the warm metal of the table. Condensation slid down its side, catching the light. The cap was already cracked open, like someone knew you wouldn’t have the energy.
“You forgot to hydrate again, Director,” Phainon said—his voice barely rising above the ambient buzz. Not a scold. Not exactly concern. Just… not letting it slide. He didn’t wait for thanks, didn’t even look at you. Just placed the bottle there like it belonged, lingering a moment longer before turning away.
You blinked down at it, then up at him—already halfway across the set, his white sleeves a blur in the chaos.
“Thanks… Phainon,” you called after him, his name slipping out like an afterthought, a little awkward on your tongue. He didn’t stop walking, but the corner of his mouth tilted upward. And you swore, even without turning back, he looked pleased all the same.
And in the quiet, long after the shouting had died down, the lights had dimmed, and most of the crew had gone home, you sat alone, shoulders slumped, eyes fixed on the monitor. The same take played for the fifth time. Then the sixth. You weren’t even sure what you were looking for anymore. Every shot blurred into the next. Maybe it had never been good. Perhaps none of it was working. Your hands hovered near the controls but didn’t move. Self-doubt crept in like mold—slow, patient, and relentless. Then, a soft shuffle of footsteps—quiet, not meant to be noticed. But you noticed anyway. Phainon paused behind you. No grand entrance, no forced comfort—just the faint rustle of fabric as he leaned in slightly, arms crossed.
“It’s starting to feel real, Director.”
His voice was gentle, barely more than a breath against your shoulder. It cut through the fog in your mind sharper than any shout ever could. Never intrusive. Never loud. But always there—flipping the switch, setting the shot, grounding the chaos—until, without meaning to, you realized: your story was unfolding.
“Don’t look away now.”
It didn’t happen all at once. It never does. First, it was the way the sunrise hit the coffee steam just right during a late rewrite session. Then, how an offhand line an actor improvised during rehearsal rang louder than anything you wrote. A casting mishap landed you a last-minute extra whose face—wrinkled, worn, honest—became the heart of the scene. The rain started the second the camera rolled, unplanned but perfect. The crescent moon in the sky reflected in the growing puddles. A location scout tripped into a forgotten alley that looked exactly like the one from your dreams. A song on the radio—static-filled, half-familiar—stitched your ending together like thread through old film. And somehow, by the time the final cut played in front of a blinking crowd, you realized you’d made something. Something real. Not just a movie. A moment. Yours.
Your short film, after more than a decade of nothing, was an instant success.
ACT III, SCENE X
FADE IN:
EXT. OAK FAMILY BUILDING BALCONY - NIGHT
“Isn’t this a non-smoking area?” Phainon asked, his tone light as he watched the rumpled man in a too-tight dress shirt, a wine-red tie slung loosely over one shoulder, spark his lighter and take a long drag from a cigarette. A puff of smoke curled slowly into the air as the man—Gallagher, if Phainon remembered correctly—threw him a sideways glance.
“You gonna tattle on me, boy?” The man’s voice was raspy, but not as deep as Phainon had expected. He chuckled, shaking his head.
With Gallagher positioned right out in the open—perfectly visible from both the celebration hall and the balcony—Phainon figured the old man’s employer, the grey-haired patriarch of the Oak family, had a clear view of him lighting up. Maybe that was the point. Maybe Gallagher wanted to get caught. The man took another drag, the cigarette burning low. Smoke curled around his fingers, lazily drifting upward like something alive and indifferent. His gaze flicked to Phainon again—sharper this time—not just annoyed or amused, but knowing.
“You’re a long way from your post, halo-boy,” Gallagher mutters, exhaling a slow stream of smoke through his nose, “Daemons don’t usually hover around like lost puppies. Unless you’re planning to break the rules.”
Phainon doesn’t answer at first. His hands slip into his coat pockets—those subtle pockets the waitstaff never quite notice. His stance is too casual for someone standing so openly exposed. But his eyes-those unnervingly still cyan eyes—remain fixed on the city beyond the balcony, as if he’s watching the future unfold frame by frame.
“I didn’t break any rules,” Phainon says softly, voice steady as ever, hands folded neatly behind his back, “Not yet.”
The smoke curling from Gallagher’s cigarette wavers. He lets out a low, wet chuckle—gravel and tar caught in his throat.
“Yet,” he repeats, amused. His sharp teeth flash beneath the city’s sodium haze, “So it’s true. You’re attached to them. The ‘Director.’”
He drags the title through the ash with mock reverence, “What’s the game here? Some divine redemption arc? Guilt? Or just bored of the clouds and decided to babysit a trainwreck?”
Phainon doesn’t flinch but he exhales slowly through his nose, thoughtful. The damp night wind tousles loose strands of his white hair. There’s a flicker in his eyes—not irritation, not offense—but something older. Resigned. He hums softly, tilting his head as if Gallagher’s question were nothing more than a passing breeze instead of a loaded jab. His gaze drifts past the demon, toward the ballroom doors, where your silhouette slips out of sight, shoulders heavy but still moving forward.
“Is it so wrong...” Phainon says at last, voice dipped in something quiet and certain, “to have a little hope?”
For a beat, Gallagher goes still, the ember of his cigarette burning just a little too bright in the dark. He snorts, smoke curling from his nostrils, “Doesn’t sound like a good ending.”
The wind tugs faintly at their coats. The city hums below the balcony—distant honks, the low thrum of a passing tram, neon reflected in puddles like half-forgotten memories. Phainon doesn’t answer at first, only glancing over with that strange, unreadable stillness about him. A ghost of a smile, barely there, plays on his lips. Not joy. Not mockery. Something in between.
“It never is,” he murmurs, his voice quieter now, as if the truth might shatter if spoken too loud.
Gallagher’s jaw works. His fingers twitch, the cigarette burning dangerously close to the filter. He doesn’t look at Phainon—just stares out into the night, as if searching for answers buried in the rain-slick skyline. The weight of those words settles between them, heavier than the smog hanging in the air. A silence that doesn’t beg to be filled, only witnessed. Gallagher flicks the cigarette over the railing. Sparks trail behind like dying fireflies.
“Hope your miracle’s worth it,” he says, quieter now. Not a sneer. Almost… reverent.
Phainon doesn’t respond.
His eyes are already elsewhere, drawn past the smoke, the streetlamps, and the flickering signs, back to the celebration hall doors. The faintest hint of movement. A silhouette. You. His charge. His burden. His reason.
And he watches, as if you’re the only real thing in this world of false lights.
Mydei
Warning: It's quite brief, but just in case: Guns, death, fighting, mission gone wrong, PTSD, panic attacks, and blood.
Apotheosis ( ἀποθέωσις ) — The process by which a mortal is elevated to divine status, becoming a god or a divine being. This transformation often occurs after death or as a reward for extraordinary deeds, heroism, or favor from the gods.
/////CONFIDENTIAL MILITARY REPORT
REPORT #: 0319-AMPH/CK DATE: 08 APR 2X25 TIME: 15:01 LOCATION: Outpost 7, Sector 9A, Hospital Room 201 REPORTING OFFICER: CPL. [REDACTED], CALLSIGN: TRIGGER ASSOCIATED PERSONNEL: LT. MYDEIMOS, CALLSIGN: LIONHEART STATUS: SURVIVAL / EXTRACTION COMPLETE CASUALTIES: KIA (8), SURVIVORS (2)
HEPHAESTION [REDACTED], PERDIKKAS [ REDACTED], LEONNIUS [REDACTED], PTOLEMY [REDACTED], PEUCESTA [REDACTED], LEONIDAS [REDACTED], CLITUN [REDACTED], HYLES [REDACTED]
DETAILS TO FOLLOW IN EXTENDED REPORT/////
The sterile white walls closed in around you—a cold, suffocating cage. Your ribs throbbed painfully with every shallow breath, each inhale sharp enough to steal the air from your lungs. A persistent beep echoed steadily from the heart monitor—an unrelenting reminder that you were alive, but barely. You sure didn’t feel like it. Your fingers twitched restlessly beneath the thin hospital blanket, the fabric rough against your skin. Your mind churned with memories you dared not speak aloud.
The door opened abruptly with a sharp knock. For a moment, you were terrified it was Jing Yuan—but a stranger stepped inside, eyes sharp and unwavering. His uniform was crisp, his presence commanding, as if the weight of the entire military bore down on his broad shoulders. A few other men flanked him quietly, their hands folded behind their backs.
“What happened out there?” he demanded, his voice cold and unyielding. You’d never seen this man before, but just from his tone alone, you knew he held a higher rank—probably a corporal. Your throat tightened painfully. The truth felt like a heavy stone lodged in your chest: Mydei falling, the battlefield descending into chaos, and something impossible stirring beneath it all. Swallowing past the lump, you forced your voice into a steady calm. You were secretly relieved it wasn’t Jing Yuan—he would have known you were lying just from your breathing.
“It was bad. Worse than anything I’ve been through. We were pinned down, outnumbered,” You paused, biting back the urge to spill everything, licking your dry lips, “But Myd- Lieutenant Mydeimos- he… he took care of it. Made sure I got out… He saved my life, sir.”
The corporal’s eyes narrowed, sharp and piercing, as if trying to slice through the walls you’d built, “Your mission was intel-gathering on the Titans. Our transcriptions show there was a deliberate shutdown of your recording equipment for 33 minutes and 46 seconds, right when the fire team went dark. Care to explain that?”
You clenched your jaw, mind racing as you scrambled for the right answer—the truth carefully hidden beneath layers of omission.
“No excuse, sir. We’d been compromised, and in my panic, my hand caught the wire…” You trailed off, unsure what more to say. Lowering your head, you let the silence fill the room. The corporal’s gaze lingered, suspicion flickering beneath his disciplined exterior. Yet he said nothing further. The faint scribble of his pen on paper marked every word you’d spoken. Finally, he let out a long sigh.
“We’ll verify your story. Any inconsistencies won’t be tolerated. Rest easy.”.
The door clicked shut behind him, leaving you swallowed by silence. You let out a shaky breath, the weight of your secret crushing your chest like a vice.
No one could know what you’d truly witnessed.
You closed your eyes and saw it again — the battlefield torn apart, the eerie stillness that had swallowed Mydei’s form, the unnatural twitch that defied every law you’d ever known.
Your fingers curled tightly, knuckles white against the sheet.
It wasn’t supposed to be like this.
The silence of the hospital room pulsed like a second heartbeat. You blinked slowly, still seeing the afterimages — his silhouette against firelight, still standing after everything.
He should’ve stayed dead.
///// 03 JUNE 2X21 /////
You’d only been in the military for three months. Fresh out of basic training. Your boots still looked too clean. Your shoulders ached under the weight of gear that didn’t quite feel like yours yet. Your weapon was standard issue, gripped tightly in nervous hands, and your stomach knotted with the thrill of deployment and the terror of screwing up. You were running drills in a scorched training field, smoke and noise everywhere. A hail of bullets cracked through the air, and your fingers moved on instinct — pull, reset, pull—
Click.
A high, empty click.
No bang. Dead air. Just silence.
Then— Metal screamed. Something jammed. Heat surged. Your hand jolted back—
Too late.
The gun backfired. A strong hand on the back of your collar, before you felt weightless. Another hand, ripping the gun from yours.
A sudden boom. A fire of bullets rained down on the sand all at once.
Someone’s shouting. Someone thinks you fired intentionally. You didn’t. But in the silence that follows, no one cares what you meant to do. You hit the dirt with a solid, ungraceful thud—ears full of static, smoke curling off your gloves. The scent of gun oil and burnt polymer flooded your nose.
Your weapon skittered across the ground, like it wanted to run away from you.
Then: boots. Heavy. Sure. Grounded like bedrock. A shadow loomed over you—massive, broad-shouldered—his voice cutting through the ringing in your ears like gravel under steel.
“You alive, rookie?”
You blinked through smoke and pain, heart hammering against your ribs. You looked up—and that was the first time you saw Mydei. Everything about him seemed larger than life. Broad chestplate scratched from years of fieldwork. His face is somehow still youthful yet serious, and his pupils almost look like cats. You scrambled to sit up, humiliated, your fingers shaking as you reached for your weapon.
“I—my gun—I'm sorry—sir—” you choked out. He crouched beside you, fingers already moving with expert precision. In less than a second, he popped the jammed receiver and tilted it toward you.
“Double-feed. Barrel overpressured. Could’ve taken your head clean off,” he said evenly.
You couldn’t breathe. You almost died. His voice was calm, almost bored, but the words dropped like lead in your stomach. You glanced down at your rifle—the twisted mess of jammed brass, the blackened edge of the barrel still warm from near-disaster. You hadn’t even realized your hands were still clenched until they started to shake.
You swallowed hard. Ah, crap. This was it. You were done.
They’d kick you for this. Discharged. Maybe even court-martialed. That kind of mistake—you’d be lucky if they didn’t strip your rank before lunch. Your throat burned. You thought about your father’s voice when you told him you’d enlisted. You thought about all the instructors who said you’d never hack it. You thought about how your superior was staring down at you like he was already writing the report in his head.
But he didn’t move to confiscate your weapon. Didn’t call for an officer. Instead—
“But that’s not your fault,” he continued, “Factory flaw. The 8T series has a bad batch.”
You blinked. “…Sir?”
“I’ve seen two of these explode this month,” he said, standing. His armor creaked as he straightened—a towering presence, expression unreadable under the shadow of his helmet, “Not a rookie error. Just a damn bad roll of the dice.”
He held out his hand. Gloved. Firm. Steady. Not a hint of judgment in it.
“Well, Cadet Trigger,” he added with a faint smirk, “you’ve got a guardian angel somewhere. Or maybe just dumb luck.”
“…Trigger?”You stared up at him, still frozen on the floor. Your ears were still ringing from the close call. Sweat clung to your back, but the tension began to loosen—just a little—as your fingers curled around his and he pulled you to your feet.
He gave you a once-over. Not suspicious. Not cold. Just… amused.
“Guns don’t just go off like that,” he said, walking past, “Unless the trigger’s cursed.”
A pause. A glance over his shoulder, “Or the trigger’s you.”
The other cadets were still staring. Some muttering. Some snickering. But he walked away without another word, and suddenly, you didn’t care about your brush with death.
That nickname stuck.
And so did he.
---
Two days later, you were still tasting gunpowder. Your arm was in a sling, fingers scratched and stiff. The medics had said you were lucky—nothing broken, no burns deep enough to scar. “Close call,” they said, like it wasn’t already replaying in your skull on a loop. But your rifle was toast, and so was your confidence. Jeez, you wanted to put your head in your hands and scream like a little girl. Luckily, they let you sit out the next field rotation, but you weren’t allowed to sit still. You cleaned. You logged ammo. You memorized spec manuals until the text started swimming. Anything to stop thinking about the moment that weapon nearly took your life.
That, and the man who’d stopped the storm like it was nothing.
Mydei.
You hadn’t seen him since. Just the image in your head—boots in the dirt, that low voice like gravel and thunder. You thought maybe you'd hallucinated it. Maybe your brain had dreamed up a perfect soldier to soften the fact that you'd almost eaten your own gun. But, because the Aeons were cruel, suddenly it was as if that was all you could hear.
“Hey, Trig.”
The voice came from two bunks over—casual, half-muttered around a protein bar and a yawn. It was that lean guy with the buzzcut, Marcus or Malin or something? Maybe Marcus was correct—always half out of uniform, always in everyone else’s business. You looked up from your cot, still rubbing the dull ringing out of your ears. Your hands itched—ghost memory of the rifle’s weight, the near-silent click before chaos. Your pack sat half-unzipped at your feet. The gun was long gone to diagnostics, but your heart hadn’t stopped racing since they pried it from your hands.
Marcus tilted his head, that loose, crooked grin plastered on his face.
“That was some shit, huh?” he said, nodding toward you like you’d just won a bar figh, “They’re saying the Lionheart pulled your ass out?”
You hesitated.
The cot creaked beneath you as you sat up straighter, biting back the lump of uncertainty in your throat. The name—Mydei—still echoed in your head. You could see him, glove extended, voice calm, while you drowned in embarrassment and adrenaline.
“…I guess,” you said finally.
Marcus let out a low whistle and slapped his thigh.
“You don’t even know, man,” He leaned in, like he was telling you a secret not meant for green ears, “That guy—he’s like a fucking cryptid. You’ve heard the stories, right?”
You blinked.
You hadn’t. Not really.
You’d heard instructors mention him with that weird mix of respect and wariness. Some called him a relic. Others said he’d been transferred so many times that no one knew where he’d actually started. You remembered someone once joking that Mydei didn’t even have a last name—just the call sign and a body count. You thought it was just mess hall gossip.
Now he had a face. A voice. A hand that had pulled you off the floor.
Another voice chimed in—older, gruffer, “Heard Lionheart once got shot in the neck and still held his breath long enough to drag a pilot out of a downed jet.”
“B.S.,” someone muttered. “I heard he went MIA for five days and showed up with five enemy tags and no backup.”
“Five? I heard it was eight.”
“You’re all wrong,” said the lean guy again, eyes gleaming. “He’s not even supposed to be alive. They say he died once. Heart stopped—flatlined in the middle of a rescue op. The whole unit saw it. Then—bam. Woke up. Stood up. Finished the mission like nothing happened.”
You stayed silent.
That last story always stuck to your ribs.
Dead. Then not. Woke up.
You shook it off.
What mattered was the memory: his hand pulling you up. His voice not blaming you. The fact that he noticed the malfunction before anyone else did—and comforted you when he had no reason to.
Whatever else he was—ghost, monster, soldier—He was kind.
“You alive, rookie?”
Yeah. You were. Because of him.
///// 17 MAY 2X23 /////
Your transfer papers came through. You stared at the orders like they might vanish if you blinked too fast.
“Effective immediately, reassigned to Special Task Unit 0-9. Handler: Mydeimos "Lionheart".”
The room spun for a second. Or maybe that was just the five hours of sleep you hadn’t gotten. Special Task Unit 0-9 was a name whispered between barracks with reverence and disbelief. The kind of team they pulled together for missions that never made it to public reports. You weren’t even sure it existed until now. Your palms went slick as you tucked the papers under your arm and headed toward Deployment Hangar C—the one with reinforced walls, heavier security, and the unmarked transport ships that came and went without manifest.
You didn’t feel ready. But you weren’t about to turn it down.
The elevator groaned as it descended into the lower decks. Your reflection in the chrome panel was pale, jaw tight. You adjusted your uniform for the third time before the doors hissed open. The task force’s prep bay was silent. No shouting. No clatter. No wasted movement. Just a group of soldiers in matte black gear, moving like a well-oiled machine. And at the center—
There he was.
Mydei.
He hadn’t changed. Broad shoulders framed by heavier-grade armor. Helmet clipped to his side. Same calm presence—like standing near a thunderstorm that hadn’t decided whether to break yet. He looked over when you stepped in, and your chest locked up. Was he going to remember you? That moment when you were just another green recruit with a broken rifle?
He stared for a moment. Then gave a nod—a small, sharp one.
“Trigger.”
That single word landed like a stamp on your bones.
You straightened. “Sir.”
He handed you a tablet, “Loadout briefing’s inside. Mission clock starts at 0700. Get acquainted with the others.”
And just like that, you were in. No ceremony. No welcome speech. Just his quiet voice, the smell of oil and metal, and the heat of pressure beneath your skin. But even that was more than enough. You followed the others through orientation drills. They were tighter than any squad you’d worked with. Efficient. Sharp. Not a lot of talking. Not a lot of room for mistakes. But nobody doubted Mydei’s commands when they came. Nobody hesitated. And slowly, you found your rhythm.
The first op went smooth. The second, less so—a recovery run that turned into an ambush. You got clipped. Not bad, but enough to knock you off your feet. Mydei was the one who dragged you to cover, kept pressure on the wound while giving orders to the others.
“You alright, Trigger?” he asked, voice low but steady. You nodded, even though your ribs screamed.
“Good,” he said. “Next time, don’t let ’em flank you. You’re sharper than that.”
He didn’t say it with anger. Just certainty. Like he knew you could do better. Like he expected you to. And maybe for the first time, you believed it too.
///// 23 JULY 2X23 /////
That night, you caught him in the makeshift kitchen at the back of the mobile command unit. He was baking. Baking. A giant, undying soldier with hands like thunder—gently stirring batter in a cracked metal bowl. The whole room smelled like cinnamon and almonds.
You blinked, “...Sir?”
“You like cookies?” he asked. He didn't even look up.
“Uh. Yes? I mean—yes, sir.”
He tossed you one without looking. Perfect arc, landed in your palm like he’d done it a thousand times.
“I always bake after missions,” he said. “Keeps the team human.”
Not sure what else to do than stare like a creep, you bit into it and nearly melted on the spot. It was warm. Sweet. A little chewy around the edges. Comforting in a way that hit harder than it should have. You could see why the team loved him. He didn’t keep the people he trusted at arm’s length. Not like some legends did.
There was that time he asked how your side was healing after that shrapnel hit. Offered you water after long marches. Taught you how to disassemble your rifle faster when no one else was watching. Always subtle. Always patient. He showed you how to tell weather shifts by the weight of the clouds. Let you taste his drink choices, pomegranate juice with a splash of milk, because Mydei loved the colour pink. Once, you helped him prep a care package for an orphanage his squad had supported during deployment cycles—baked goods, canned supplies, a letter written in his clean, precise hand.
“You always send them stuff?” you asked, folding socks for the bundle.
“Every quarter,” he said. “And every time I survive something I shouldn’t.”
“Why them?”
Mydei paused.
“Because they’re small. And soft. And the world forgets soft things exist unless someone reminds it.”
You didn’t know what to say to that. So, you just nodded and helped pack.
You started watching him more closely.
How his movements were deliberate—always precise, as if every motion had been calculated a thousand times before. How he always stood with his back to the wall, eyes scanning, never fully relaxed, as though the world outside his reach might turn on him at any second. How his jaw tightened when loud noises—especially the sound of distant gunfire or the crack of a falling object—cut through the air. It was a small thing, a barely perceptible flinch, but you caught it every time. He cleaned his gear longer than anyone else, sometimes hours after the others had turned in for the night. The clink of metal tools against steel echoed in the quiet. His hands moved methodically over the rifle, adjusting, re-checking, always making sure it was pristine, even if there was no immediate need. You wondered if he did it to fill the silence—or if, somehow, the repetitive action grounded him, kept him anchored. Sometimes, when he thought no one was watching, you caught him staring out into the distance, eyes far away, lost in some thought or memory you couldn’t reach. The edges of his expression softened, and for a second, he didn’t look like the myth they spoke of. He looked human. Broken. You weren’t sure when it became a habit—this need to understand him. The way you found yourself tracking his movements in the corner of your eye, trying to piece together the cracks in his armor, wondering what made him tick. Maybe it was the quiet, patient way he led—always watching, always observing, as if waiting for you to figure it out for yourself. But it was more than that. It was a quiet curiosity, a pull in your chest that you couldn’t ignore.
But it did. And it stuck.
///// 25 MARCH 2X25 /////
It was supposed to be clean.
Extraction. Quick in-and-out. A scattered outpost hidden in a valley of fog and wire, half-swallowed by terrain and time. Intel said there were no active combatants—just recovery, debrief, then wheels up.
They were wrong.
Your boots sank into the mud just as the first scream ripped through the comms.
Then, the line went dead.
“Guards up. Full spread,” Mydei ordered, voice sharp as always, already moving with purpose, “Trig, with me.”
The outpost was gutted, a carcass left to rot under the weight of time. No roof. No walls. Just broken floors sagging under forgotten weight, rusted tech littered in disarray, wires hanging from the rafters like old veins. Vines curled around shattered terminals, their damp leaves clinging to the remnants of a world long abandoned. In the periphery of your vision, something wet dragged across the floor—slow, deliberate, leaving streaks of dark against the gray concrete. The air was thick, heavy with mildew and rot. The hum of static from broken electronics buzzed faintly in the background, the only sound cutting through the oppressive silence—until the second scream cut through the comms, slicing through the air like a knife. Shadows pooled in the corners, lingering, moving in ways that didn’t make sense. There was no sun here, only the sickly glow from the dying lights above.
It didn’t feel like a mission. It felt like a trap.
One second, the squad moved forward in tight formation, boots silent on the cracked floor. Eyes darted, weapons held at the ready, and every footfall was calculated, precise. The next—an explosion erupted from beneath the ground with a violent, earth-shattering force. The world detonated around you. The floor buckled, throwing you off balance. The air was filled with dust and fire. You fired. So did everyone else. Rounds tore through flesh, the staccato rhythm of gunfire mingling with screams. Bodies fell, some in slow motion, some collapsing all at once. Panic began to creep in from the edges of your vision, as if the world was pulling away, stretching out of focus. But through the chaos, Mydei was at the front, as always—unshakable, unyielding. Weapon roaring, hands steady, posture wide and rooted, as if the storm of fire and death couldn’t touch him. You stayed behind him, as you always did—silent, watching, waiting for the next order.
Then it happened. A single bullet pierced the air, followed by another six, each one cracking the stillness with brutal precision.
“Mydei—!” you shouted, panic rising in your throat as you tore through the chaos, your boots pounding against the blood-soaked floor. You shoved bodies aside, desperate to reach him, to see him move, to know he was still—
—he stopped moving. Not like a man ducking for cover. Not even like a soldier bracing for the next round. He went still. Too still. A sickening silence fell over the battlefield, sharp enough to cut through the ringing in your ears. Your breath caught, lungs frozen with disbelief. Something thudded deep in your chest. It wasn’t the pounding of your heart—it was something worse. Something cracking. Something breaking.
“TRIGGER—GET BACK—” someone shouted over the comms, the panic in their voice barely breaking through the fog of your own fear. But you didn’t hear them. You screamed his name again, the sound tearing at your throat, but it didn’t matter.
Mydei didn’t move.
And then—
He did.
Mydei stood.
But it wasn’t like before.
It was as if his body had forgotten how to move with purpose, how to follow the instincts that had always been so sure. His legs locked, muscles stiff, dragging him upright with a slow, unnatural jerk. The space between his movements seemed to stretch, as if time was slipping through the cracks of his body, leaving behind a brittle shell. Blood soaked his side, dark and pulsing through the torn armor, but he didn’t flinch. Didn’t even touch the wound.
His eyes—
They didn’t blink.
The way he stared—hollow, unseeing—made your stomach twist. Something was gone, something you couldn’t put your finger on. He was there, but he wasn’t. A presence that should’ve been solid, comforting, was now a gaping absence, standing in front of you like a phantom. You could barely breathe. The air was thick, heavy, pressing against your chest as if the very atmosphere around you had solidified. Mydei’s gaze shifted toward you, slow and deliberate. For a moment, the world seemed to stop.
His eyes met yours.
Just for a second, but it felt like an eternity. There was nothing in them. No spark. No recognition. Just an endless, blank void that swallowed every shred of comfort you’d ever found in those eyes. Mydei had always been a rock—steadfast, unwavering, a man you could trust without question. But now? The eyes staring back at you weren’t the same. They were distant, vacant. A shiver crept down your spine as the seconds stretched out between you. You felt it in the pit of your stomach—a weight, heavy and cold, pressing against your ribs, making it harder to breathe. His movements were too mechanical, too deliberate, his features frozen in a way that made your skin crawl.
And then, as though he was snapping back into place, he spoke. The words were cold, flat, devoid of the usual authority you’d come to rely on. They hung in the air, hollow and strange, as if they’d been ripped from his mouth rather than formed with intent.
“Leave. Now.”
The command was clear. It should have been enough. You should have been fine. But the voice—it didn’t feel right. It didn’t carry that familiar weight, that subtle but undeniable presence that had always kept you steady in the most chaotic of moments. This was something else. Something distant. Mechanical. You nodded, the motion automatic, a reflex born of years of training. And you moved. You obeyed. Of course you did.
---
There was no squad to regroup with. It felt more like a funeral procession than a recovery mission. You limped your way through the remnants of the outpost, the echoes of gunfire still faintly lingering in the back of your mind. Every step was a reminder of the brutality of what had just happened, but somehow, nothing felt real. The stench of smoke and blood hung thick in the air, but there was an odd emptiness, too, as if the space itself had been hollowed out.
Radioing for evac, you could hear the static crackle, the distant hum of machinery trying to piece together the reality of what was unfolding. Silence slowly closed around the outpost again—an unnatural stillness that made the hairs on the back of your neck stand up. Every corner seemed to hide something else. You couldn't shake the feeling that the land itself was holding its breath, waiting for something else to happen.
You reached the evac ship. They pulled you aboard, your body barely holding together, every muscle screaming as they wrapped your arm and pushed adrenaline through your veins. The world became a blur of flashing lights and the steady pulse of heartbeats, both yours and theirs, too loud in the confined space. The scent of antiseptic cut through the stale air, sharp and foreign. And when they asked you what happened, all the words in your throat turned to stone. Your mind scrambled, trying to make sense of what had just occurred, but the truth—the truth—was too twisted to spit out. How could you explain it? How could you tell them that Mydei had been broken and whole, shattered and moving, all at once?
So you lied.
///// 10 APR 2X25 /////
“You’re saying the enemy forces ambushed your unit mid-recon?" Jing Yuan's voice was cool, methodical, and for the first time, his face was serious, sharpened, and guarded, "And you're saying only you and Lieutenant Mydei made it out?"
You gave a single, sharp nod. It wasn’t a full motion; more like a reflex. A response you’d practiced—taught yourself—to give when it was time to speak. The edge of your jaw ached as you clamped your mouth tight, resisting the urge to chew the words over. You didn’t let yourself breathe too deeply, didn't let your chest rise too much.
“Yes, sir," you said, the words leaving your throat faster than you could stop them. "He didn’t go down.” The lie felt heavier than it should, but you kept going. “Mydei pushed through. Got me out. That’s why I’m sitting here.”
The room felt smaller now, the air thicker. You couldn’t see the sterile walls, the machines blinking faintly, or the dim blue glow of the overhead light without feeling a sense of suffocation. The medical bay’s antiseptic smell of bleach and plastic seemed to crowd in around you, pressing on your temples, suffocating your thoughts. You tried to focus on the General's face, but all you saw were those memories—the twisted image of Mydei standing, bleeding, unblinking—and the words caught in your throat, threatening to spill out, to unravel everything.
Jing Yuan’s gaze didn’t soften. If anything, it sharpened. The way his eyes lingered on you made your skin crawl, though you kept your posture straight. The silence stretched for a few seconds too long, but he didn’t break eye contact. Instead, he scribbled something down on his clipboard, the sharp sound of the pen against the paper like a gunshot in the stillness. The small movement seemed to draw his focus back to you, the weight of his stare pressing down harder than before.
“You’re certain?” His voice was just as calm, though now you could hear the subtle edge of doubt seeping through. He wasn’t asking because he thought you were lying. He was asking because he needed you to say it again. To make sure you were as certain as you claimed.
The temperature in the room seemed to dip lower. Your throat tightened, the heat of your earlier lie still clinging to your words. You swallowed, a dry, painful motion, "Yes, sir. I’m certain."
But the words felt hollow.
Jing Yuan didn’t respond right away. Instead, he leaned back in his chair, his expression unreadable. The dull hum of the lights, the beeping of machines, the faint shuffling of the medics behind you—it all seemed to fade into the background, as if this moment, this question, was the only thing left in the universe. He watched you too long after that. Pen tapping against the corner of the datasheet like he wanted the sound to dig into your skull.
"Are you sure there's something you don't want to tell me?" Jing Yuan’s voice cuts through the silence once more. He’s set his pen down, fingers now laced together in a slow, deliberate motion. His chin rests on top of his hands, and his eyes—sharp, analytical—never leave you. It's not just a question anymore. It's a statement, a challenge, an unspoken demand for truth.
In that moment, you feel it.
Something clicks into place inside you. Not loud. Not dramatic. But there, all the same. A shift. A decision. Solid. Unyielding. You swallow against the knot in your throat, the taste of steel creeping up again. Your pulse quickens, but you hold firm, your gaze steady despite the chaos still swirling in your chest.
You’re not going to tell him. Not about what happened, not about the things you’ve seen, not about Mydei—about what he had been, what he still was, even if no one else could understand it. You can’t. You won't. Because whatever Mydei was now… whatever the truth really was, in that moment, when the blood was thick in the air and the odds seemed impossible, he’d still looked at you the same. Like a man who trusted you.
Still pulled you to your feet. Still saved your life.
If command ever found out — if they started probing, picking apart every detail, treating Mydei like some kind of asset to be dissected and analyzed — you didn’t know what would happen. And honestly, you didn’t want to know. The thought of them poking and prodding at something that, in your mind, still felt like your responsibility.
“…He saved me,” you said, the words slipping out with a finality you hadn't expected, "That’s all that matters."
Jing Yuan didn’t flinch. Didn’t look away. He studied your face, and his eyes narrowed just enough to make you feel like he was weighing the truth in you — maybe seeing something you weren’t saying, some subtle shift behind your words. He didn’t press, though. Not this time. He didn’t call your bluff, even though the tension between you seemed to thicken. Maybe it was the paperwork he was avoiding, or maybe there was something else in the way he was reading you.
Maybe — deep down — he already knew what you were protecting.
The click of his pen as it snapped shut felt like a verdict, sealing this moment, the weight of unspoken words between you both.
“Dismissed.”
Anaxa
Alogon (ἄλογον / A-logos) — A concept meaning “without reason” or “irrational.”.
[ "The performance of life, too, must eventually reach the curtain call." ]
“The students this year are all cotton-brained and leaking spinal fluid from their ears.”
“Good morning to you too, Doctor.”
Veritas—better known as Dr. Ratio—barely glances up at your snarky quip, probably because he gets more than enough sass from a certain blond-haired man who lives to test his patience. He pulls the staff chair across from you and takes a seat, already holding a stack of papers dripping with red ink.
Ouch. Those poor students. It must be their first class—there’s a whole checklist of requirements just to qualify for Ratio’s lectures, and even then, half of them probably walked in thinking they were smarter than they are. You recognize the pattern: wide eyes, overconfidence, and the slow withering of hope by the second week.
“It’s the first week. I think it’s fair to give everyone at least one morning of rest before they hit the ground running,” you hum, poking at your lunch. The colder mornings have been killing your appetite lately—everything tastes like cardboard and regret—but with Veritas parked across from you, you doubt you’ll get the chance to sneak off to the coffee machine without earning one of his patented glances. Not all of us are built like a brick house, Doctor. Seriously, what does he even need all those muscles for? Shoving copy machines? Launching chalk at students like bullets?
“If you’re that lax with students on the first day, they’ll take it as the standard and stay complacent forever,” Veritas says, crossing his arms in that dramatic, exasperated way of his. You can practically hear the quotation marks around the philosophical nonsense he just dropped. Then he levels you with a stare, “Do you even have your syllabus completed?”
Ah—caught. Better to look the other way; it makes that infamous glare feel a little less like walking barefoot over spikes and thorns.
“You always did leave things for the last minute.”
Veritas’s gaze shifts past your shoulder just as the sharp, deliberate click of heeled boots echoes across the staff room floor.
“Anaxagoras,” Veritas greets, tone flat but unmistakably acknowledging.
“Veritas,” Anaxa replies just as evenly, as if they’re exchanging chess moves instead of pleasantries.
The staff room hums with quiet tension, the only sound the faint, rhythmic scratching of Veritas’s pen carving through a stack of papers. His eyes flick up, catching you in a glance before passing over, “Still treating clocks like polite suggestions instead of hard rules.”
Anaxa responded with a casual shrug, slow and unconcerned, as if the concept of time were an amusing joke meant for someone else. A faint flicker of amusement played at the corner of his eyes when they met Veritas’s—a subtle challenge cloaked in indifference, “Didn’t realize I was missed.”
“You weren’t. But your absence was certainly quieter,” Veritas didn’t look away this time. He flipped a page with a crisp snap that punctuated the silence, the red ink staining the margins like fresh wounds—harsh and unforgiving. You couldn’t help but think the only reason these two tolerated each other was because Veritas was one of the few who actually used his full name.
"Alright, ladies, you're both beautiful. How about we settle down now?" you laugh easily, getting matching frowns from the two men.
It’s a nice morning, and the first day of classes unfolds in its usual slow, methodical rhythm. The staff room isn’t crowded—no one scrambling over the microwave, no complaints about the eternally broken coffee machine that’s been out of order as long as you’ve worked at Paperfold University. The hum of distant footsteps and low murmurs barely fill the space. Nearby, your closest work colleague and Anaxa exchange words under the thinnest, debatably professional pretenses—half casual banter, half veiled challenge. Their voices are low, as if the room itself is holding its breath.
Yes, everything feels normal. As it should. Right down to the man you mourned all summer, sitting across from you like he never left—like the months since his death never happened, and nothing has changed.
[ I gained inspiration from death, and should repay as such. ]
Grief is sticky, like humidity.
You stand at the podium, gripping your notecards upside down, your fingers trembling just slightly. You’re wearing black this morning. Sunlight filters through the stained-glass windows, splashing shards of color across the room—but stabbing your eyes with its brightness. Everything feels soft and warm. Outside, summer rages on—the kind of summer Anaxa hated: sweltering, sticky, and alive with the relentless chorus of cars honking, buzzing in the heat.
“Anaxagoras was my best friend,” you begin, your voice barely more than a whisper.
That part is true. You were four when you picked up a smooth stone and threw it at the bully who called a boy a “nerd” for asking why lizards couldn’t fly. The question had seemed strange then, but you didn’t care—because even at that age, you knew some things deserved defending.
You were twelve when you watched from the back of the classroom as that same boy got kicked out for questioning a classmate’s religious beliefs. You’d snickered with the others, trying to be liked and avoid being ostracized, hiding the sting in your chest behind a half-smile.
At sixteen, you found yourself scribbling his name in the margins of your notebooks—small marks of presence, of connection, when words felt too fragile.
At twenty-one, it hit you with the sharp clarity of a late winter morning: the shape of your misery perfectly mirrored the shape of your love, and if he ever left, both would hollow out the same space inside you.
You are thirty-one now.
Anaxa lies in a coffin.
Around him, asphodels and myrtles are arranged with quiet care. The white flowers lend an impossible purity to the man who was anything but pure.
The single red pomegranate flower clutched in his hands only makes the stillness feel lonelier.
You don’t remember the rest of the speech. The words blur and fade into a dull hum beneath polite clapping. Aglaea squeezes your hand gently in the aisle—steady, grounding. The coffin lowers slowly, like a magic trick in reverse: now you see him, now you don’t. Faces around you crumble into tears, but you sit still, the weight of everyone else’s grief pressing down. Not that you don’t feel it—you do. You just don’t cry. Not yet. Instead, your fingers crush the cold metal of the ring he slipped onto your finger—the only thing keeping you afloat. Because if you let go, you know the scream trapped inside you would tear everything apart.
You don’t cry until three days later.
You’re curled up on the cold bathroom floor, wrapped in Anaxa’s ridiculous lizard onesie—the one he never wanted to admit he liked the most. His room has become a museum of ghosts—not the kind that haunt, but the kind that linger in memories. Chipped coffee mugs left half-full. An unfinished book on Yaldabaoth, the bookmark still folded into its pages. A burnt-out candle, faintly scented with juniper and smoke. The old flip phone, blinking with an unread message from you, frozen in time, waiting for a reply that will never come.
And then he’s standing there in your hallway. Paler than you remember—almost translucent—his skin stretched tight over sharp cheekbones. Skinnier, as if life itself has been siphoned from him. One eye hidden behind a patch, the other sharp and watchful. Still taller than you, looming despite his fragility. And that smile—wide, too wide; full of teeth. But it’s not the smile you once knew. It doesn’t reach his one remaining eye, which flickers with something unreadable.
You don’t scream. You don’t even flinch. Your breath catches, and your eyes blink slowly, disbelieving.
“Anaxagoras?”
“In the flesh,” he says, his voice low but familiar, almost teasing. He steps forward with unsettling calm.
You want to shout at him: You’re dead. I watched them lower your body into the dirt. I still have that gaudy black-and-white capelet that I hated so much. I wear it when I’m alone, like a fragile shield—like some broken, abandoned thing.
Instead, you say:
[ I am incredibly happy now. ]
Veritas was right. The students this year are performing far below average. You’re not sure how half of them even managed to submit their applications, let alone meet the qualifications. During one lecture, you thought you overheard a girl whispering to her seatmate, nervously asking for advice on how to take proper notes, as if that were some foreign concept. It’s reached the point where you find yourself bending the usual boundaries between professor and student, nudging and prodding more than you probably should, because you’re genuinely worried some of them might just roll over and pass out under the pressure. Your lectures and labs are mostly in the mornings, and while at least one student usually answers back to your cheerful “Good morning!”, the majority shuffle in like half-brained zombies. Their glazed eyes stare blankly ahead, as if their spines were leaking fluid that numbs their senses, and they meander toward the nearest seat with all the energy of a fading candle. You suppress a sigh. This won’t fly—there’s a teacher conference next week, and you’re already drafting your points in your head.
“You think loudly.”
You blink, shaken out of your spiral, and glance to the side. There’s Anaxa—your dead husband, a truth you have to repeat to yourself over and over—sitting there, relaxed and almost casual, behind the wheel as snowflakes drift lazily past the window. In the overexposed gray light filtering through the windshield, his skin looks even paler and malnourished: the kind of white you see before blindness, the light inside a star just before it collapses.
“Just thinking about what Veritas said is all…” Your voice trails off as your thoughts drift away again. Your mind screams at you to be afraid. To recoil. To run. Because what you’re seeing defies everything you know about life and death. A corpse—your husband’s corpse—is supposed to lie six feet underground, wrapped in linen and wood, cold and silent. But here he is instead, breathing, blinking, alive, driving you both home through the thickening snow.
“Veritas always has a way of making things sound more incontestable than they are,” Anaxa’s eyes flicker toward you from the driver’s seat, calm and unreadable behind his half-lidded gaze. You grip the edge of the seat, willing yourself to stay grounded. You are not hallucinating. You are not dreaming. You are not losing your mind. You believe in the science of dreams, in the logic of REM sleep cycles—but this feels like neither.
You glance at him, the weight of your thoughts pressing down, “It’s not incontestable. You’ve seen the students... everyone acts like they’re on autopilot. I’m concerned.”
He smirks—a slow, almost lazy curve of his lips that doesn’t quite reach his one good eye, “Life’s exhausting, isn’t it? Especially when people keep insisting on making it harder.”
You remember the nightmare you never wanted to relive: the shrill ring of your phone during lecture, the way your heart dropped as you answered, the trembling voice on the other end delivering the worst news—the news that your husband was dying.
“That sounds like something you’d say just to avoid talking about what really matters,” you almost laugh, though it comes out as a breathy exhale.
You left the classroom without a word, your students’ confused whispers fading behind you as you raced through rain-slicked roads. You reached the hospital, breathless and trembling, only to be told the truth you could barely face—he didn’t make it. You remember standing there, frozen, clutching the ring—the only piece of him left in your grasp. And now, as your eyes meet his in the car, a strange mix of fear, disbelief, and something darker curls in your chest. He’s here. Alive.
Anaxa shrugs, his eyes briefly glinting with amusement, “Maybe. Or maybe it’s because I’ve learned that sometimes, talking about it doesn’t make it better. Just louder.”
The car hums along, tires crunching softly over the snow.
[ Do not fear blasphemy— ]
Winter has made the house feel colder than it should, even with the heater murmuring steadily in the corner. The radio plays a song about “Penrose”—something you’ve never heard before. You shift in your chair, the wooden legs creaking against the floorboards. Your hands are stiff from clutching the fork and knife too tightly, and your plate glares back with its bland stir-fry of wilting vegetables and reheated rice. Thrown together from whatever you could salvage from the fridge, it tastes like nothing. A purely functional meal.
Across the table, Anaxa sits in silence. He eats slowly, chewing each bite with mechanical precision. The overhead light is harsh—it spills over him, casting every sharp angle into stark relief. Hollow cheeks. Gaunt skin. The eyepatch still wound tightly around his head—the same fraying strip of white cloth he’s worn since he came back. It might have once been clean, but it isn’t anymore. You’ve offered him fresh fabric, but he always declines. His ribs show even through the oversized sweater—something you used to wear. His collarbones jut out like they’ve been carved from stone. Yet he chews, swallows, and raises the fork again. A small mercy, you think. He’s eating. He didn’t use to. You try not to stare, but it’s hard not to. Not because of how strange he looks now, but because some part of you is still waiting—waiting for him to twitch wrong. To move in a way no living man should. You hear your own breath more than his. You’ve been counting the seconds between each of his, unsure if that’s even necessary anymore.
He hasn’t said a word all evening.
Neither have you.
Not really.
You want to ask him a hundred questions, but your throat feels dry, words lodged somewhere between hope and fear. Instead, you settle for watching him—the slow rise and fall of his chest, the shallow rhythm of his breath. The way his one visible eye blinks spreads tears across the eyeball, cleaning and moisturizing the surface. They aren’t dead or glazed over. In fact, they almost look brighter than before the accident.
He turns his head up slightly, just enough to meet your eyes from beneath the faint shadows cast by the kitchen light. His movements are slow—deliberate—as if lifting his gaze costs more than it used to.
“You’ve been watching me.”
The words come out flat. Not accusing. Not defensive. A simple truth laid bare—like a bone left out in the snow. You nod once. There’s no point pretending otherwise. No use untangling the silence with lies. His stare doesn’t break. It feels heavy, not with anger, but with knowledge—like he already knows what you’ve seen and is only asking to hear you admit it.
“You don’t have to keep pretending,” you say, voice even but low, “I’m scared. But not of you.”
He shifts; the creak of his chair sounds almost too loud. The overhead bulb flickers once, faint and insect-like. A flicker of something—something almost like a smile touches his lips.
“Funny,” he says softly, “I never thought I’d be the one to terrify you.”
You swallow hard; your mouth suddenly goes dry. The heater in the corner hums uselessly. The warmth it gives off doesn’t reach you—not here, not now. The room feels small, suffocating almost, as if the walls themselves are holding their breath. You shift in your seat, fingertips twitching against your knees, unsure whether to fold inward or reach across the table. You want to touch him—anchor yourself to what’s left of him. But something stops you: an invisible barrier you can’t quite name. His eye remains fixed on you, unblinking.
“Why won’t you take it off?” you finally ask, your voice barely more than a whisper, “The patch.”
His eyes flicker away, dark lashes brushing his cheek, “Some things are better left hidden.”
“But it’s been days,” you press.
He doesn’t answer right away. Instead, he shifts, the thin fabric slipping slightly to reveal the gaunt outline of his collarbone beneath the threadbare shirt. The sight makes your chest tighten—in that awful, breathless way you still haven’t learned to control.
“One step at a time,” he says at last.
The clock ticks loudly in the silence, each second stretched thin, taut as wire and just as ready to snap. You glance at the eyepatch, at the knot securing it in place, and your breath catches. You know the truth is waiting beneath it—silent, patient, watching—until the moment you’re brave enough, or desperate enough, to look.
[ It is already a sin to transcend the gods, so what if you become a god!" ]
You never meant to open Pandora’s box.
Okay—maybe you did. A little.
But it was coming from a place of concern. People are supposed to take care of their eye sockets, especially when one of them is hidden beneath that ratty white eyepatch. He never takes it off. Not when he showers. Not when he sleeps. Not even when the faintest flicker of movement catches your eye—something writhing, alive, beneath the fragile fabric like a restless parasite. You tried to convince yourself it was your imagination, a trick of shadows and exhaustion. But the truth gnaws at you like a bone you can’t stop gnawing. You remember the first time you noticed it: a barely perceptible twitch beneath the fabric, a faint pulse that didn’t match any normal heartbeat. It made your skin crawl. You wanted to ask. You wanted to pry and demand answers. But Anaxa’s eyes—well, the one you could see—always held that same apathetic calm, as if whatever was happening underneath didn’t bother him one bit.
You told yourself: If it’s infected, he could die. Again. You told yourself: It’s not Anaxa. Not really. Not entirely.
But also: What if it is? You'll be alone again.
It’s 2:59 a.m. The air conditioner hums softly, its steady drone blending with the distant wind sweeping the remaining dead leaves, like a restless insect trapped in the night. He’s stretched out on the bed, limbs loose and limp like a scarecrow abandoned in a forgotten field. The thin sheet draped over him barely reaches his chest; now he’s wrapped in twice as many layers, the winter wonderland outside reflecting through the window. His breathing is shallow, too even, too controlled—a carefully rehearsed performance. You move cautiously, the worn socks you borrowed muffling your steps on the creaky floorboards. Your heart pounds violently against your ribs, threatening to break free and leave you behind.
You kneel beside the futon, every muscle tense, every breath caught.
Your hand hovers, hesitant, trembling slightly as it reaches out.
The eyepatch—frayed and stained from too many nights—clings to his face, held by a crude knot tied at the back of his head. You tug gently, careful not to wake him, just enough to loosen the fabric, just enough to lift the edge.
Just enough to see—
“That’s not polite.”
You freeze.
The voice is low, dry—smooth like cracked leather. Not angry. Not startled. Just… amused. You glance up, meeting his one exposed eye, which glints faintly in the dark, alive with that same crooked humor you thought you’d lost forever
"To know it is to cease to know. To see it is to never see again in straight lines."
Your breath catches, the air growing inexplicably colder as shadows stretch and twist, reaching toward you with silent hunger. You remain frozen, unable to tear your gaze away, even as the patch slips from your fingers, compelled by some unseen force—beckoning you to witness what lies beneath.
And then you see it.
Not an eye.
An abyss yawns open where one should be.
A hollow carved impossibly deep, devoid of blood or bone. Pure emptiness—an endless void swallowed in darkness darker than night itself—a cavernous gulf where life should have been. That void shifts, inhales, and exhales with a slow, unnatural rhythm, as if breathing with a life all its own. Within the darkness, something coils and writhes, its shape fluid and ominous, like smoke caught in a slow storm.
Then, without warning, it turns its gaze toward you. The abyss looks back—its presence a heavy weight pressing deep into your bones, a silent promise of secrets too vast to comprehend. A color out of space.
“So you’re the reason he clings to this meat. How unexpected.”
The voice is curious. Not cruel. Not kind. You want to say something—anything. But all you can do is stare into the depths where his eye should be and feel it stare back. Your hands tremble, but you haven’t screamed yet. You’re not running either.
“This body remembers your voice. It twitches when you laugh. It cried when you touched it.”
And then, Anaxa blinks. The patch is back in place. You don’t remember putting it there.
He exhales—slowly, tired.
“I was hoping you wouldn’t look,” he says. The real him, or something close enough.
You swallow hard.
Because despite this impostor pretending to be your Anaxa, you feel… relieved. You don’t have to stay stuck in the grieving widow phase for the rest of your life. You don’t have to endure the pitiful stares from everyone except Veritas. Most importantly, you don’t have to imagine what your life would be like without Anaxa—because he’s here, in some form. Even if he’s lost the muscles in his arms, even if you can practically see his ribs beneath the heavy layers of clothing, his face sunken and hollow.
“You should clean that,” you whisper.
“It’s not infected,” he says.
“It could be.”
He laughs—quiet, rough. Close enough.
“And you’re not afraid?”
You study him—the hollow cheeks sunken deeper than you remember, skin so white it makes you think of hospital tiles and the static noise between radio stations. His thin frame barely fills out the threadbare clothes. He looks like a ghost tethered to this world—someone who died but didn’t quite come back right.
Still, your voice is steady when you say, “No. You came back. That’s enough.”
The room holds its breath. Silence stretches, heavy and suffocating—like the space between heartbeats. Then, slowly, almost painfully, he turns to face you. His eyes—one real, one an empty void—search yours, as if trying to remember how to exist in this fragile body again.
“You’re either very brave,” the thing inside him murmurs, voice low and rough, “or very foolish.”
The clock’s hands don’t move, but the ticking continues—as if counting something else entirely. Your hand moves on its own, reaching out to his. The coldness of his skin prickles against your palm, a reminder of everything lost and everything still somehow here. It’s cold. But it squeezes back.
[ — One of the echoes in Anaxa's memories after the Grove had fallen, which vanished because nobody discovered it. ]
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*slaps this fic* And that's a wrap! Thank you once again for commissioning me and for being so patient. I hope you all enjoyed this. I don't want to clog this already long fic up too much, so below I've only written research/references in order of appearance. If you're interested in the writing/thought process, I'll be reblogging this with further notes.
Cut Content/Writing Process Note: Here
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Golden Apple
It is most famously associated with the Apple of Discord, which represents:
Conflict born from vanity or favoritism (since it was labeled "To the fairest")
The catalyst for larger consequences (such as the Trojan War)
Temptation and choice (as seen in Paris having to decide which goddess deserved the apple)
Phainon
Daimon
In ancient Greece, it was believed that each person had a personal daimon, assigned at birth or death, which influenced their fate and guided them during crucial moments. The daimon didn’t dictate actions, but acted as a subtle force, especially in times of crisis or important decisions.
Socrates famously spoke of his daimonion, a divine voice that warned him against certain actions but never told him what to do. As he put it in Plato’s Apology: “The sign is a voice which comes to me and always forbids me to do something which I am going to do, but never commands me to do anything.”
In Plato's Republic and Timaeus, daimones are described as mediators of fate, guiding souls in their choices and destinies, ensuring a cosmic balance without direct interference in individual decisions.
Voicelines
While not directly stated in the fic, these are the voice lines that stuck when writing this particular Phainon:
"Accepting others' wishes and turning them into his own wishes — not all heroes are such blank canvases as him, and that is why the world places such great hopes on him." - Aglaea
"Lord Phainon is kind and friendly to all his companions, but there's always a sliver of pain in his smile... He must have lost something very dear to him." - Hyacine
"Snowy... It always feels like he's carrying too much. Not just his own wishes but also the hatred and expectations of others... Though we all have our own missions, I still get worried... Bearing everything alone is not a good habit." - Tribbie
Symbolism in Numbers (Act + Scene Numbers)
1 (Monad) - Unity, origin, the divine, the source of all things.
2 (Dyad) - Duality, division, balance of opposites (light/dark, male/female, good/evil).
7 (Heptad) - Mystery, initiation, spiritual perfection.
3 (Triad) - Harmony, balance, completeness.
10 (Decad) - Totality, divine perfection, return to unity (1+0=1).
Butterfly (The neon sign in the beginning)
The butterfly was often used as a symbol for the soul or daemon, especially in art. Psyche, the Greek word for "soul," is sometimes personified with butterfly wings.
Masks
A symbol of duality or hidden truths. Daemons could "wear" personas or guide others through identity.
Phainon's Greek Name
Phaenon (Phaínōn / Φαίνων) derives from the Ancient Greek verb φαίνω phaínō, meaning "to shine." The form φαίνων phaínōn is its present participle, meaning "the one who shines."
Crescent Moon (Stroke of luck during filming)
In various cultures, the moon is linked with divine protection, especially maternal or lunar goddesses like Artemis.
"Is it so wrong...to have a little hope?" (Phainon's reasoning to Gallagher)
[ "That person alone will witness the miracle" doesn't sound like a good ending, does it? Why did everyone choose to become demigods even after knowing the price? ]
-(excerpt from Phainon's text messages to the Trailblazer)
Mydei
Apotheosis
While the Olympian gods are immortal by nature, apotheosis suggests a pathway to immortality for mortals. Some famous Greek examples are Heracles and Psyche.
My knowledge of the military is incredibly low, so if there are any inconsistencies, please ignore them. I'm trying my best. I did try to get some of my facts straight, but I used U.S military as a guideline since that's the one I'm most familiar with. My Google searches were wild on this one, baby.
Military Report (I put a lot of effort into it, you people need to know this)
Report # - 0319 (Mydei's release banner date) Amphoreous / Castrum Kremnos (CK) Date - Mydei's banner end date Time - Version 3.1 (Mydei's banner release version) Associated Personnel: Lionheart (Taken from his banner's event name "Fiery Lionheart") Casualties KIA: Taken from the past NPCs from Kremnos (specifically the ones that were warriors)
Trig/Trigger (Reader's Call Sign)
A call sign is a unique identifier, often a nickname, used to identify a unit or individual during radio communications. Personal Callsigns are generally given by members in your unit when you do something that makes you stand out, be it good or bad.
I'm not gonna lie. I needed to have some term to use to refer to reader, and my friend is in love with Trigger from Hoyo's other game, ZZZ. This one's for you (I hope you never find my tumblr)
Time Line
U.S. Task Forces / Special Ops (e.g., Delta Force, SEALs, JSOC Task Forces)
Minimum Time in Service: 2–4 years, usually, depending on MOS (military occupational specialty).
Total Time: 4–7 years on average, but again, fast-tracking is possible for exceptional performance, critical skillsets (e.g., languages, cyber, demolitions), or under urgent need.
Recording Equipment (Corporal asking why there was a shutdown)
Special Operations typically don't use body cams since their missions are highly classified. But they might use recording equipment if it's for training, target observation, or accountability-driven operations (e.g., raids with media or political oversight).
In most modern military systems, cutting off or tampering with communication or recording equipment can often be detected, logged, or at the very least suspected, depending on the gear and the system it's connected to.
"Green"
In the military, when someone is described as "green," it means they are new, inexperienced, or untested — often fresh out of training and just starting in the field. Usually considered "green" for 6 months to a year, or until they've had real combat exposure.
Anaxa
Alogon
Anaxa's prompt wasn’t directly inspired by Greek culture or mythology. The basic premise was to portray him as a cosmic horror parasite, and the closest parallel I found was the concept of the “Alogon.” (So no, unfortunately, there aren't any eldritch H.P. Lovecraft entities in Greek. Honestly, I think I went more domestic horror.)
In Orphic mythology, the term alogon [ τὸ ἄλογον (a-logos) ] —meaning “irrational” or “without reason”—is not a distinct deity or mythological entity, but a philosophical concept representing the chaotic, unformed state of existence prior to creation. It serves as a symbolic contrast to Phanes (also known as Protogonos), the primordial being who emerged from the cosmic egg at the dawn of time. Phanes introduced light, reason, and structure into the universe, transforming the alogon into an ordered cosmos.
Quotes
The first quote line is from Anaxa's lightcone, "Life Should Be Cast to Flames." The rest is what was written in Anaxa's character story, part IV.
Asphodels, myrtles, and pomegranate flowers (The flowers in Anaxa's coffin)
Aspodels: Considered the "death flower" by the Greeks, believed to be the flower of the afterlife
Myrtle: This plant was a symbol of eternity and was often used in funerary arrangements.
Pomegranate Flower: Tied deeply to Persephone, who ate pomegranate seeds in the underworld and is forced to return each year, creating the seasons.
The passing of seasons (Persephone)
Persephone, daughter of Demeter (goddess of the harvest), was abducted by Hades and taken to the Underworld. Grieving, Demeter caused the Earth to wither, bringing on winter. When Persephone was allowed to return, life bloomed again—spring and summer. But because she ate pomegranate seeds in the Underworld, she had to return each year, leading to autumn and winter.
Yaldabaoth (The half-finished book Anaxa left behind)
Also known as Ialdabaoth or Jaldabaoth, Yaldabaoth is a central figure in Gnostic theology, depicted as a false creator who traps souls within the material world.
Juniper (The candle scent Anaxa left behind)
A genus of coniferous trees and shrubs, most notably known for its berries used in gin. Used in purification and protective rituals, especially in ancient Greek and Roman practices.
Penrose (The name of the song on the radio station)
The name "Penrose" is from the Penrose Triangle and Stairs. Two famous impossible objects.
Pandora's Box
A myth from Greek mythology where Pandora, the first woman, was given a sealed jar (later called a box) and told not to open it. Curiosity got the better of her, and when she opened it, all the evils of the world escaped—leaving only Hope inside. It explains the origin of suffering in the world.
2:59 am (The time reader goes to remove Anaxa's eyepatch)
Hecate’s hour is traditionally considered to be between midnight and 3 a.m., often called the witching hour or the hour of the night witch. This time is associated with magic, spirits, and the supernatural—when Hecate, the Greek goddess of magic, crossroads, and the underworld, is believed to be most powerful and present. In folklore and later occult traditions, this period is thought to be when the veil between worlds is thinnest, making it a prime time for rituals, visions, and encounters with otherworldly forces.
"A colour out of space." (The void in Anaxa's eye)
A reference to Lovecraft's "The Colour Out of Space" for my literature fans.
Fun Fact: That line about a girl asking how to take proper notes is real. I was the seatmate.
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